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・ Spring 1990 (The Other One)
・ Spring 2004 Dior couture collection
・ Spring 2008 New York Fashion Week
・ Spring 2009 Chanel couture collection
・ Spring 2011 United Kingdom heat wave
・ Spring 3100
・ Spring Affair
・ Spring Air Company
・ Spring Airlines
・ Spring Airlines Japan
・ Spring and All
・ Spring and Autumn Annals
・ Spring and Autumn Annals of the Sixteen Kingdoms
・ Spring and Autumn Annals of the Ten Kingdoms
・ Spring and Autumn Annals of Wu and Yue
Spring and Autumn Landscapes
・ Spring and Autumn Pavilions
・ Spring and Autumn period
・ Spring and Chaos
・ Spring and Fall (album)
・ Spring and Port Wine
・ Spring Arbor Township, Michigan
・ Spring Arbor University
・ Spring Arbor, Michigan
・ Spring Awakening
・ Spring Awakening (festival)
・ Spring Awakening (film)
・ Spring Awakening (musical)
・ Spring Awakening (play)
・ Spring back


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Spring and Autumn Landscapes : ウィキペディア英語版
Spring and Autumn Landscapes

Spring and autumn landscapes is a pair of seasonal paintings representing spring and autumn by Japanese artist Hara Zaishō (1813–1872). Both are currently part of the Royal Ontario Museum's permanent collection, exhibited on Level 1 of the museum in the Prince Takamado Gallery of Japan.
==Hara Zaishō==
Hara Zaishō (原在照) was the adopted son of Hara Zaimei (原在明), whom he succeeded as the third head of the Hara School of professional painters. Based in Kyoto, the Hara School served from the late eighteenth through the early twentieth centuries as official artists to the Imperial Court. Hara Zaishō contributed several pieces to the Kyoto Imperial Palace during its reconstruction following a fire in 1854.〔Imperial Household Agency〕 The most famous of these is a cherry tree motif painted on sliding ''fusuma'' doors in the ''Sakura-no-ma'' (Cherry Blossom Room).〔Martin, 2002, p.307〕
Zaishō’s career spanned the late Edo (1603-1867) and early Meiji (1868-1912) periods, a time of great change within Japan as a result of its 1854 opening to the West. The Hara School was aligned with the Maruyama School of painters,〔Newboldt & Hanbury-Williams, 1908, p.116〕 a movement founded in the late 18th century associated with western-influenced tendencies such as objective realism, unified perspective, shading and contouring.〔Screech, 2012, p.259〕
Hara Zaishō is also associated with the pseudonyms Kanran (観瀾) and Yūran (夕鸞).〔Kotobank〕

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